Featured
Artist for June 1999
| Featured
GiveAway by Iliyan Slavchev A Gleam 51" x 37"
- 1998 Mixed Media on Canvas Valued at $4500 | |
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Pamela McAtee Worcester,
MA | | A
Gleam displays energy,
emotion, and passion. It was made during a tempting moment to reflect a mysterious
world and may help us find our true identities. It's a "cut" of a surprise moment
where we seem to understand something so clear in a second that it appears at
once as a distinct impression that cannot be replaced by anything else. This helps
us realize our efforts and what we strive for in life. Sometimes we are looking
for something or dealing emotionally with an issue when the surprise moment arrives.
In this time clarity flashes to understand something we've possibly missed along
the way. MEET THE ARTIST
Featured Artist Iliyan
Slavchev |
Iliyan Slavchev was born February 10, 1959, in the small industrial town of Dimitrovgrad,
Bulgaria. He now lives and works in the historical town of Plovdiv, second largest
city in Bulgaria. In 1986, he completed his education at the Academy of Fine Arts
in Sofia with emphasis on painting. He likes working big and has already completed
over nine projects in this scale - two wall paintings, several giant aluminum
panels, and a pair in aluminum and stone. His current project is a stained glass
design yet to be finished. |
In 1993, Iliyan turned to small scale but always returns to larger work. From
his "Cycles" series, "In the Air or in the Water," "The Freedom to Be Free," and
the more conventional brass and aluminum works are done with a set method of approach
and materials. Iliyan attempts to trace space and let the viewer try to figure
out whatever he's trying to do. He wants to let the viewer's imagination run and
express himself in whatever his motives are. Iliyan tries to work as
a perfectionist. He believes that things are only things and that emotions in
action create an essential sensitivity.
| To
be taken by the dance of A DANCER. The dance, whether it be an element of passion
or the light motion of a trance isn't the issue. Iliyan often uses a similar order
to express different feelings that interest him. He expresses the state of mind
where narration has little importance. There are times where Iliyan does not feel
the need to share something with someone but feels a need to express it by working.
Whether it be an emotional idea, expressing that feeling is the value of his sense. |
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A Dancer, 13" x 14 1/2",
1998, Oil on Tarboard, $1500 |
Iliyan has been interested in art since childhood. A kindergarten teacher
gave his scrawls some attention when he was five. At seven years he started attending
a therapy group that discussed art. At this time, he still didn't have the knowledge
of a landscape or still life. He remembers it as a remarkable time of art introduction
due to support from renowned Bulgarian artist Ivan Popovsky. That was time when
he was free to investigate different possibilities of arrangements in miscellaneous
techniques. Popovsky was an especially kind teacher that introduced to Iliyan
artists like Monet, Renoir, Cezanne and Gauguin, to name a few. He literally opened
Iliyan's eyes to the world of art. Art school was a very much needed
for Iliyan because of basic lessons and viewpoints presented. Iliyan graduated
from high school in Sofia in 1978, after which he attended the Academy of Arts
in Sofia, graduating from there in 1986. He specialized in wall painting which
at that time included decorative art in every medium, architecture included. Still
he feels self-education is necessary or an artist will only be fluent in process
instead of passionate. "One must discover the passion to form your individual
vision about art and to pursue level after level until you surpass your own personal
need as well as others." Iliyan believes that all things in this world have a
very complex interconnection so it is impossible to avoid self-discovery. "Otherwise,
we would never be in the position to do something unique and passionate."
 |
YELLOW musters the material or spiritual? It could be about a moment of silence
before magic converts us into people. Or it could be about the moment where we
are awaiting something to happen. We could be staring at illusion and not quite
sure where we're going. Regardless, "Yellow" is a warm place where we can bare
our souls. Scattering to any directions, perhaps a spirited dance. Whether it
be an effort or silence, the light plays in yellow with a trace of glinting sliver.
| Yellow,
51" x 31", 1998 Acrylic on Canvas $3500 | |
Iliyan says
that making his art is like a game, jumping work to work in order to later overlook
how it's all connected. Like breaking a mystery's shell and going into that zone,
to the most holy, "most personal zone," and to momentarily release the energy
hidden there. Fixing an emotion, expressing a feeling, offering an instance which
brings us happiness. That moment converts us into something beyond our bare essentials
and gives us a heartfelt understanding of our environment. Passion for
art keeps Iliyan working. It's that temptation that keeps him going. Maybe for
this reason it's difficult for him to say exactly what it is that makes him want
to paint. He claims art is his life, therefore, to divide something that he feels
is just indivisible, is just impossible for him. Thus he could say that freedom
is a mystery because it is something that is generally difficult to access, but
not impossible. He's interested in this unique universality and that helps give
him clarity in giving him an incentive to work.
| MEMORIES
engraves our memory with vast emotional makeup. It appears as an abstraction with
soft lines and creates an impression that can stir the imagination. An event from
their own life or past memories probably best left behind. |
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Memories-1, 12" x 16",
1998 Oil on Pressboard $1500 |
ABOUT THE ARTIST Iliyan produces art right after he comes up with
an idea, no matter where he is or what time it is. When the idea occurs he prefers
to work alone but doesn't always have to be in his studio to work. He drinks coffee
in the mornings and insists that his imagination stays wide awake even when he
sleeps! Iliyan works full time in art, whether decorative or industrial.
He considers art to be any artist's usage of anything. He loves his family and
spouse, who is an applied graphics artist. His son is a high school art student
in Plovdiv and spirituality an important part of his life. He claims to be excessively
fussy but loves elegance and the pleasure "to have the pleasure to offer pleasure."
These things he loves most behind his work, of course. He strongly dislikes obscenity,
blindness, low self-esteem, prowling animals.
 | AN
ENDLESS STORY is like a human life span longer than we can imagine. If we use
a lot of words we can forget what we originally intended to say or have it buried
within a bundle of words to the point that it loses meaning. Generally things
repeat but the act is the same and only circumstances change. Values remain the
same. | | An
Endless Story, Length 22", 1998 Brass and Glass $3800
| |
The guidelines he's built for himself are self-contained. He sees them as a mechanism
that offers him the opportunity to improve. It excites him to formulate new ways
to benefit ourselves with new applications and options. Iliyan considers his hobbies
as an entire human activity. He thinks that they are all connected more or less
with his art life. Everything seems to be a hobby whether he works for himself
or for others. It all reflects on him as someone that enjoys "having the pleasure
to offer the best."
| A
PLOT consists of at least two moments to interact. And a picture may show you
what you see and a lot more. | | | |
A Plot,
1998 12 " x 16" Mixed Media on Canvas $1800 |
Iliyan makes use
of numerous materials in his work. Whether it be polymer or oil paint, metal,
stone, wood, glass, fabric or something else on smooth, or rough, or even a constructed
surface. He uses canvas, linen, plywood or anything else he can find, dependent
on his impulses. He is only interested in the effect that separates the materials
or formed combinations. He indicates that as much as each material brings its
own character, it also offers different advantages. Whatever he uses in his art
is a question he finds hard to explain since it truly depends on what aesthetic
he wants to convey. Most often the finished product is a combination between a
variety of materials and space. What actually gives him desirable results is the
effect he originally intends. Like an "endless vibrating space, pulsing in any
direction, everywhere inwards to us, and outward to infinity."
 |
Whether a celebration of
feelings, a state, mood or impression of the imagination, NATURE-1 may stir feelings
about personal issues. That which makes one feel as if they're just venturing
to a garden in their own parameters. Iliyan says this painting is a "self-portrait"
all about himself, expressing what he wants to offer everyone. |
| Nature-1,
37 " x 51", 1998 Mixed Media on Canvas $3800 | |
IMPORTANT
PROJECTS 1988
Decorative-plastic composition "WATER" for the face facade of BISSERA plant in
the town of Hascovo – 21' X 25' X 1 1/2'. 1989 Decorative-plastic wall
composition - Aluminum 17 3/4' X 25' X 1 1/2 ' for the central facade of the administrative
D building of USTREM Company in the town of Polvdiv. 1989 Decorative-plastic
wall composition "SPINNING DISKS" – mosaic, metal & aluminum - 10 1/2' X 6'
and 42' and 6' - for the central lobby of representative floor of ZMM Company
in the town of Assenovgrad. 1992 One hundred years aeronautic in Bulgaria
– a spacious plastic composition stone aluminum – 6 1/4' X 10 1/2' X 69 1/2'.
The Central Park in the town of Plovdiv – competition winner. 1993 An
inside design of two-three seated airplane – of the scale of one to five – for
"AVIOTECNICA" in Plovdiv. 1995 Separating flying wall – Aluminum – 7'
X 37' X 2 1/4' - Multifunctional hall of ZMM Company in the town of Assenovgrad.
1996 "ELECTROLYSIS" – metal /aluminum/ - 12 1/2' X 5' X 50' X 5' - A plastic
composition flanking the central entrance space of the administrative building
of "Combine for Nonferrous Metals" in Plovdiv. 1998 A window stained
plastic glass 8' x 10' for the lobby of TEMPODEM Company in Plovdiv.
1999 Two windows "Cosmos" glass and glass/resin – 29 1/2' x 10' ; glass, resin,
stained glass/ powder form– 39' x 5 3/4'. A lot of projects in the area
of applied graphics, trademark, advertisement, artistic space formation, books,
leaflets, catalogues, etc. Variety of plastic panels and constructions.
Contact
the Artist Please Email ArtQuest
for sales information
ARTIST STATEMENT I am joyful when I see that people are
doing something more for themselves. And am always happy when I'm asked to help
them. To offer and give them what they really want. I think that people need to
get closer to one’s own real nature. To find one’s own universe, by one’s own
eyes. I am convinced and thanks to people like Kathy Kahre that all this will
become possible. We all owe this to our souls since our souls are what really
deserve a bit more attention. ~ Iliyan Slavchev
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